Photo of the Week 2023-12-11

 

Not long after last week's post, I completed my processing of a set of images that now comprise the series ' revealed '. The series features the magnificent Superior lake-bed colours and shapes at Coldwater Cove, as seen with the use of a polarizing filter to reduce glare and reflection on the water surface.

 

With these two images, getting close with wide angle zoom allowed me to create interesting abstract interpretations using the natural patterns, shapes and colours in the rock of the Canadian Shield. I was left to imagine rough water and waves crashing along this shoreline because on this day there were but ripples on the water's surface.

 

' revealed IV '

 

' revealed VI '

Calm, sunny conditions such as we had are something not too common for late October on the lake that is Superior. 

 

 

DJE 

Photo of the Week 2023-11-27

 

During last month's Superior Wild and Scenic Photo Retreat we visited several locations on Lake Superior. Most were known to me from previous travels in the area but one in particular was not and oh what a treat it was.

Calm waters were not expected but they did allow for some unique waveless images on the rocky headland at Coldwater Cove. I ended up with quite a collection showing the interesting and accessible rock formations. Sneak previews when I was downloading after they days shoot had me excited for one or two but with well over a dozen it was difficult to know where to start, so I'll just start.

' wave action worn '

I had switched out lenses to the 17-40 wide angle zoom in order to get more in the frame and include more of the interesting formations in the foreground. I also used a polarizer to tame some of the glare and reflection from the strong mid-day sun, both on the rock and the water.

 

This is certainly a location that I plan to get back to for some more shooting.

 

DJE

Photo of the Week 2023-11-20

 

' Fall Colour @ Sand River Falls '

' Sand River -  lower falls'

' Sand River Falls - detail '

 

 

 

 

 

 

 

 

 

 

 

 

 

A return visit for shooting at the Sand River Falls allowed me time to make the short hike from the trailhead up to the lower falls. Apparently there are three falls accessible by the Pinguisibi Trail that starts from the parking lot N-E of the highway but I was with a group of photographers and only had so much time allotted for our stop at this location. Given that, I quickly set out for the nearest (lower) falls after telling the group leader where I was headed (safety first). Along the way I was getting glimpses of the water cascading through the relatively narrow channels of the river. I had been informed that during lower flow levels, much of the jagged and undulating river course is exposed and can be accessed. Not so when the water is high and raging.

Rather than stop on my way up, I chose to head straight to the top of the falls and work my way back, checking out vantage points on the return trek. I arrived at the top of the falls and explored the area, able to walk out on a fairly extensive network of exposed rock and look further upstream hoping for a calm, still water basin before the plunge for some reflection images.

 

There was no upstream still water and I started looking around for other photo ops finding a small maple in full red leaf at the edge of the river just as it starts to plunge. I removed by backpack and placed it away from the water with my tripod and took just my camera out onto the rock in search of a composition that would suit the dramatic red leaves. I found something that worked using my lens wide open at f/4 and zoomed out at 105mm to blur the background a bit and place emphasis on the red leaves in the foreground.

 

A short time later on my way back down, I stopped just below the main plunge and tried a technique to add motion blur to water, one we had discussed the previous evening. There are options in most of the new cameras these days to make and blend multiple exposures in-camera. That option usually outputs a jpeg image and while it may be of sufficient quality, my camera can shoot a maximum of 9 frames in this mode and has the option of keeping the RAW captures as well as the output jpeg which is what I selected. I used the output jpeg on my rear LCD to judge exposure and the blur of the flowing water and retained the RAW files as a fall back. Lighting conditions were rather bright and it was difficult to select a longer shutter speed to help with the motion blur. The water was not blending smooth enough for my liking and I ended up blending the results of 2 sets of 9 RAW images in Photoshop to get the results shown in the additional 2 images above. Of course you can use ND (neutral density) filters to obtain slower shutter speeds and blur water nicely but I wanted to try something new.

 

DJE