A return visit for shooting at the Sand River Falls allowed me time to make the short hike from the trailhead up to the lower falls. Apparently there are three falls accessible by the Pinguisibi Trail that starts from the parking lot N-E of the highway but I was with a group of photographers and only had so much time allotted for our stop at this location. Given that, I quickly set out for the nearest (lower) falls after telling the group leader where I was headed (safety first). Along the way I was getting glimpses of the water cascading through the relatively narrow channels of the river. I had been informed that during lower flow levels, much of the jagged and undulating river course is exposed and can be accessed. Not so when the water is high and raging.
Rather than stop on my way up, I chose to head straight to the top of the falls and work my way back, checking out vantage points on the return trek. I arrived at the top of the falls and explored the area, able to walk out on a fairly extensive network of exposed rock and look further upstream hoping for a calm, still water basin before the plunge for some reflection images.
There was no upstream still water and I started looking around for other photo ops finding a small maple in full red leaf at the edge of the river just as it starts to plunge. I removed by backpack and placed it away from the water with my tripod and took just my camera out onto the rock in search of a composition that would suit the dramatic red leaves. I found something that worked using my lens wide open at f/4 and zoomed out at 105mm to blur the background a bit and place emphasis on the red leaves in the foreground.
A short time later on my way back down, I stopped just below the main plunge and tried a technique to add motion blur to water, one we had discussed the previous evening. There are options in most of the new cameras these days to make and blend multiple exposures in-camera. That option usually outputs a jpeg image and while it may be of sufficient quality, my camera can shoot a maximum of 9 frames in this mode and has the option of keeping the RAW captures as well as the output jpeg which is what I selected. I used the output jpeg on my rear LCD to judge exposure and the blur of the flowing water and retained the RAW files as a fall back. Lighting conditions were rather bright and it was difficult to select a longer shutter speed to help with the motion blur. The water was not blending smooth enough for my liking and I ended up blending the results of 2 sets of 9 RAW images in Photoshop to get the results shown in the additional 2 images above. Of course you can use ND (neutral density) filters to obtain slower shutter speeds and blur water nicely but I wanted to try something new.
DJE
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